Performers’ Use of Space and Body in Movement Interaction with A Movement-based Digital Musical Instrument

Author:

Cavdir Doga1,Dahl Sofia2

Affiliation:

1. CCRMA, Stanford University, USA

2. Aalborg University in Copenhagen, Denmark

Publisher

ACM

Reference41 articles.

1. Irmgard Bartenieff and Dori Lewis . 1980. Body movement: Coping with the environment . Psychology Press . Irmgard Bartenieff and Dori Lewis. 1980. Body movement: Coping with the environment. Psychology Press.

2. Assessing the reliability of the Laban Movement Analysis system

3. Claude Cadoz . 1988 . Instrumental gesture and musical composition . In ICMC 1988-International Computer Music Conference. 1–12 . Claude Cadoz. 1988. Instrumental gesture and musical composition. In ICMC 1988-International Computer Music Conference. 1–12.

4. Claude Cadoz and Marcelo Wanderley. 2000. Gesture-music. Trends in gestural control of music(2000). Claude Cadoz and Marcelo Wanderley. 2000. Gesture-music. Trends in gestural control of music(2000).

5. EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems

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1. Embodied eTube Gestures and Agency;Proceedings of the 9th International Conference on Movement and Computing;2024-05-30

2. Heart and Soul: The Ethics of Biometric Capture in Immersive Artistic Performance;Proceedings of the CHI Conference on Human Factors in Computing Systems;2024-05-11

3. Borrowed Gestures: The Body as an Extension of the Musical Instrument;Computer Music Journal;2021

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