ReLyMe

Author:

Zhang Chen1,Chang Luchin1,Wu Songruoyao1,Tan Xu2,Qin Tao2,Liu Tie-Yan2,Zhang Kejun3

Affiliation:

1. Zhejiang University, Hangzhou, China

2. Microsoft Research Asia, Beijing, China

3. Zhejiang University & Alibaba-Zhejiang University Joint Institute of Frontier Technologies, Hangzhou, China

Funder

Project of Key Laboratory of Intelligent Processing Technology for Digital Music (Zhejiang Conservatory of Music), Ministry of Culture and Tourism

Key R&D Program of Zhejiang Province

Key Project of Natural Science Foundation of Zhejiang Province

Publisher

ACM

Reference37 articles.

1. Neural Melody Composition from Lyrics

2. B Benward and M Saker . 2003. Introduction . The materials of music: Sound and time. Music in theory and practice , pp. xii--25). NY, NY : McGraw-Hill ( 2003 ). B Benward and M Saker. 2003. Introduction. The materials of music: Sound and time. Music in theory and practice, pp. xii--25). NY, NY: McGraw-Hill (2003).

3. David Ronald Bishop. 2012. Perfect shark music: How can the principle of prosody be used in contemporary song-writing? Ph. D. Dissertation. Wintec. David Ronald Bishop. 2012. Perfect shark music: How can the principle of prosody be used in contemporary song-writing? Ph. D. Dissertation. Wintec.

4. Transformer-XL: Attentive Language Models beyond a Fixed-Length Context

5. Lyn Frazier , Katy Carlson , and Charles Clifton Jr. 2006. Prosodic phrasing is central to language comprehension. Trends in cognitive sciences , Vol. 10 , 6 ( 2006 ), 244--249. Lyn Frazier, Katy Carlson, and Charles Clifton Jr. 2006. Prosodic phrasing is central to language comprehension. Trends in cognitive sciences, Vol. 10, 6 (2006), 244--249.

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1. A Survey on Edge Intelligence for Music Composition: Principles, Applications, and Privacy Implications;Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering;2024

2. SDMuse: Stochastic Differential Music Editing and Generation via Hybrid Representation;IEEE Transactions on Multimedia;2023

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