Love and Theatre in the Works of Nikephoros Basilakes

Author:

Kotłowska AnnaORCID

Abstract

The article analyzes the rhetorical output of Nikephoros Basilakes, focusing on his use of scenic terminology and the psychological interpretation of myths. The conclusions substantiate the theory that Nikephoros had been part of the imperial theatron before his downfall in the mid-1150s.

Publisher

Uniwersytet Lodzki (University of Lodz)

Subject

Religious studies,History,Cultural Studies

Reference137 articles.

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2. The Communings with Himself of Marcus Aurelius Antoninus, ed. et trans. C.R. Haines, London– New York 1916 [= Loeb Classical Library, 58].

3. Diogenes Laertius, Lives of Eminent Philosophers, vol. II, trans. R.D. Hicks, Cambridge Mass.– London 1925 [= Loeb Classical Library, 184].

4. Dreambooks in Byzantium. Six Oneirocritica, trans. et comm. S.M. Oberhelman, Aldershot–Burlington 2008.

5. Die Erzählung von Alexander und Semiramis, ed. et trans. U. Moennig, Berlin–New York 2004 [= Supplementa Byzantina, 7].

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