Abstract
ABSTRACT: Langston Hughes’s 1935 play Little Ham was a genre-bending moment, influenced by screwball comedies on the 1930s movie screen and by Hughes’s own love of African-American vernacular culture. By using this lens to examine the play, a rich picture of the Harlem Renaissance emerges, highlighting the difficult task of representation and engagement with cultural forms at a time when the spectre of minstrelsy still haunted the African-American stage. Hughes’s project with Little Ham was, at once, ludic and critical, creating a classic comedy that deserves a closer look.
Publisher
University of Toronto Press Inc. (UTPress)
Subject
Literature and Literary Theory
Reference15 articles.
1. “About the Savoy Ballroom.” 9 Dec. 2005. Mark the Savoy. 17 Nov. 2005. 17 July 2012
2. Modernism and the Harlem Renaissance
3. Gender Roles Revisited
4. The Law of Genre