For a Justice-to-Come: Milo Rau’s Utopian Realism

Abstract

One of the most prolific political theatre makers in Europe today, Milo Rau is known for his commitment to a realist art of possibility—a “Möglichkeitsrealismus,” as he defines it, devoted to opening space for envisioning possible alternatives to the status quo. Drawing on Ernst Bloch’s writings on utopia, this article argues for an understanding of Rau’s artistic practice as a kind of “concrete utopianism” that materially engages the world so as to imagine—and enact—new possibilities for improvement and transformation. Via a reading of Rau’s Kongo Tribunal (2015), an attempt is made to show how, by staging the tribunal in the here and now of performance, the artist seeks to disclose the real but not yet realized possibilities available in the present, giving form to an alternative institutionality—and an alternative practice of justice—that is made fully graspable in the imagination and in reality. As a material act of imagining otherwise, the Kongo Tribunal refuses the closure of the present, inviting spectators to step back and recognize the institutionalized forms of law and justice not as fixed but variable—and thus (still) open to change.