When Is a Priest Not a Priest? Religious Visual Literacy in an Era of Identity Politics

Author:

Gibbard Nathan1

Affiliation:

1. McGill University

Abstract

The study of superheroes and religion has often been approached through a mythological hermeneutic, or one that emphasizes what the characters represent. This, however, has often led to a failure to account adequately for the visual component that is a crucial element in talking about graphic narrative, especially when discussing religion and spirituality within comics. By closely examining one religious image within the context of The Incredible Hulk comics, the clerical collar, this article seeks to shed some light on the complexity of dealing with constantly evolving religious visual culture and its relation to religious identity. In this way, the article hopes to open up new lines of inquiry in regard to religion and comics.

Publisher

University of Toronto Press Inc. (UTPress)

Subject

Religious studies,Cultural Studies

Reference42 articles.

1. Image and visual culture after the pictorial turn: an outsider's note

2. Byrne, John (writer, penciller). 1986. “Member of the wedding.” The Incredible Hulk (vol. 1) #319. New York: Marvel Publishers.

3. Catechism of the Catholic Church, English translation, 2nd ed. 1997. http://www.vatican.va/archive/ENG0015/_INDEX.HTM#fonte

4. Claremont, Chris (writer), and Brent Anderson (penciller). 2001 [1982]. X-men: God loves, man kills. Marvel Graphic Novel 5. New York: Marvel Comics

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