Abstract
After a six-year silence, Sam Shepard, formerly one of the most prolific and most produced American playwrights, finally returned to the American theater with States of Shock. The play was first presented by The American Place Theatre in New York City on April 30, 1991, for a very limited run. As has been the case for so many other Shepard plays before, States of Shock was eagerly anticipated by New York theater critics as an opportunity to fight another critical war about Shepard. Shepard has always had what Walter Kerr, the "high priest" of the New York theater critics, once named his "cult audience."
Publisher
University of Toronto Press Inc. (UTPress)
Subject
Literature and Literary Theory
Cited by
1 articles.
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