Abstract
This is a proposal for a genealogical project that takes up the more than thirty years of this journal’s print life. I start, then, with Michel Foucault’s explanation of genealogy, or, at least, with his account of what it is not: “Genealogy does not pretend to go back in time to restore an unbroken continuity that operates beyond the dispersion of forgotten things; its duty is not to demonstrate that the past actively exists in the present, that it continues secretly to animate the present [. . .]. Genealogy does not resemble the evolution of a species and does not map the destiny of a people” (Bouchard 146). So it is with these precepts in mind that I want to argue for a particular kind of critical stocktakingnot just of the journal, but also of the field and of “us.
Publisher
University of Toronto Press Inc. (UTPress)
Subject
Visual Arts and Performing Arts
Cited by
1 articles.
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