Abstract
In an era when blogging, Facebook, and Twitter are more and more becoming the ubiquitous means of expression for an entire generation, The Manifesto of Living Self-portraiture illuminates the potential and power of self-representation through the highly personal art practice of queer transsexual Nina Arsenault. Arsenault's unfolding creative work begins with the documentation of her sixty cosmetic procedures which transformed her body into a 36D-28-42 self-portrait of hyperfemininity. Her subsequent numerous nightlife appearances, photo shoots, videos, and theatrical performances chart the trajectory of her constant and perpetual transformations and by inference illuminate cultural values of beauty, sexuality, and the power of spirituality. Furthermore, Arsenault's discipline incorporates voice/breath/body training, contemporary self-help manuals, and ongoing research into art and mythology to vivify herself as living Goddess archetypes. Arsenault's life as self-portraiture, created at the nexus point of fantasy and reality, becomes a sacred drama of transfiguration in a society which seeks to minimize her passion and pathologize her identity.
Publisher
University of Toronto Press Inc. (UTPress)
Subject
Visual Arts and Performing Arts
Reference3 articles.
1. Ovid,Miller, Frank Justus (1933).Metamorphoses.London: W. Heinmann165- 167, 184, 185Print
Cited by
5 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献