Abstract
The Ligue Nationale d'Improvisation (LNI), an improvisational theatre group that came into being in the late 1970s in Montreal and whose popularity spread quickly, mainly in the francophone world, has imported the structure and rules of hockey and adapted them to a format in which teams of actor-improvisers compete. This paper examines the ways in which the game of hockey has infused theatre improvisation with energy and vitality and why, in a Canadian and more particularly Québécois setting, the transposition of a sport like hockey is particularly loaded with cultural resonance.
Publisher
University of Toronto Press Inc. (UTPress)
Subject
Visual Arts and Performing Arts