Naked Truths as a Credo of Protest in Allen Ginsberg's "Howl"

Author:

Alaa Ahmed Abdullah

Abstract

In the aftermath of the Second World War, the United States was abounded with darkened repercussions represented by waging wars such as the cold war, the Vietnam War, and the appearance of various ideologies as materialism, consumerism, sexual freedom, racial struggles and many other examples and consequently, new trends and movements appeared to rebel against the conventional norms that prevailed during that time. The rebellion took an upward trajectory crystalizing itself in diverse forms namely: the religious, political, social and literary ones. Unruly politics and queer activisms defied the commonplace hetero-normative ways of peaceful demonstrations. The beat movement burst out against what was believed as repressive, dehumanized, corrupt, and unjust in the United States of America. Allen Ginsberg's monumental poem "Howl" seems to be the manifesto of the movement. Most striking quality is the use of naked truth as an expression of the poet's own eccentricity. This quality makes the poem a landmark of eccentricity. "Howl" reflects and connotes a deeply celestial interpretation. A celestial reading of the poem will mend its presupposed deformed image, prove the opposite, and support the basic theme of protest which is at the center of the beat movement.

Publisher

College of Arts, Tikrit University

Reference11 articles.

1. Bartlett, Lee (ed). The Beat Essays in Criticism. London: McFarland, 1981.

2. Breslin James E. A. "Howl" in From Modern to Contemporary: American Poetry 1945-1965, University of Chicago Press, 1994.

3. Butler, Judith. 1993. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge.

4. Dougherty, William. The Metaphor of Motive. London: Oxford University Press, 1971.

5. Holmes, John Clellon. (1952). "This Is the Beat Generation" The New York Times Magazine, November 16. P. 10. Retrieved from https://www.nytimes.com/1952/11/16/archives/this-is-the-beat-generation-despite-its-excesses-a-contemporary.html

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