Abstract
Modern critical reception characterizes patriarch Isaac as a particular character type: the schlemiel. This article provides a tour through the cumulative evidence for this comedic read, focusing on Genesis 27, the blessing of Jacob. It provides a revised narratological and literary context, arguing that Isaac’s fivefold questioning demonstrates not confusion, but awareness: he knows exactly which son is in front of him. The paper presents an alternative narratological and literary context for Isaac, framing his questions in terms of the editing process: a synchronic reading of Isaac’s acumen is corroborated by evidence from diachronic reading. The redaction history of the Isaac material in chapter 26 yields a number of points suggesting the dependence of the Abraham material on the Isaac narrative. A number of features indicate a stronger, less subordinate Isaac figure based on the earlier tradition revealed by a complex transmission history than the image arising from the mainstream synchronic reading of chapter 27 seems to depict.
Publisher
Katolicki Uniwersytet Lubelski Jana Pawla II
Reference16 articles.
1. Aaron, D.H., Genesis Ideology. Essays on the Uses and Meanings of Stories (Eugene, OR: Cascade Books 2017).
2. Anderson, J.E., Jacob and the Divine Trickster. A Theology of Deception and YHWH’s Fidelity to the Ancestral Promise in the Jacob Cycle (Winona Lake, IN: Eisenbrauns 2011).
3. Bledstein, A., “Binder, Trickster, Heel, and Hairy-Man: Rereading Genesis 27 as a Trickster Tale Told by a Woman,” A Feminist Companion to Genesis (ed. A. Brenner; Sheffield: Sheffield Academic Press 1993) II, 282–295.
4. Boase, E., “Life in the Shadows: The Role and Function of Isaac in Genesis: Synchronic and Diachronic Readings,” Vetus Testamentum 51/3 (2001) 312–335. DOI: http://dx.doi.org/10.1163/15685330152913594.
5. Danta, C., “Sarah’s Laughter: Kafka’s Abraham,” Modernism/Modernity 15/2 (2008) 343–359. DOI: https://doi.org/10.1353/mod.2008.0048.