HIDDEN FINE ART WITH IR COLORANTS

Author:

Ziljak Grsic Jana1,Tepes Golubic Lidija1ORCID,Stanacev Bajzek Sanda2

Affiliation:

1. Zagreb University of Applied Sciences

2. Udruga likovnih kriticara, Art critics Association

Abstract

We are surrounded by video surveillance cameras that register separately in two light areas: visible to our naked eye - Red, Green Blue record and near infrared record (NIR � Z). In this article, we present quantitative data on the measurement of light absorption for fine art colorants. We expand the theory and practice of Infrared Art by giving examples of artists who paint so-called "infrared pictures" as a new, different creation of a work of art, a new expressive possibility that the artist adapts to his artistic nature, that is, to his expression, and by no means as a new technological possibility to which he will subordinate himself and his art. Infrared Art is a completely new method of creating works of art with regard to the infrared area, that is, it is a discovery and a technology that allows us to create and reproduce works of art with full control over the management of dual images and messages that can be communicated through images, via information that is visible and invisible to the eye. The increasing interest in the question of colors and colorants and their physical properties encourages us not to keep Infrared Art, that is, infrared technology, in the sphere of experiments, but to make maximum use of its applicability in all aspects of visual communication and information communication.

Publisher

SGEM WORLD SCIENCE

Reference10 articles.

1. [1] Nazor Corda, D., Ziljak Grsic, J.: Extended Method of Restoration Retouching in The Near-Infrared Spectrum // 8th SWS International Scientific Conference on Social Sciences - ISCSS 2021, Vienna, Austria, 2021. str. 667-680 doi:10.35603/sws.iscss.va2021/s10.65

2. [2] Guang-wu Lv, Peng Cao, Yuan Huang: Maximum Dynamic Range Of GCR Based On Metamerism And Application, International journal of scientific & technology research, Volume 10, Issue 08, August 2021 ISSN 2277-8616 152 IJSTR�2021 www.ijstr.org

3. [3] Heesang Shin, Napoleon H. Reyes, Andre L. Barczak, and Chee Seng Chan: Colour Object Classification Using the Fusion of Visible and Near-Infrared Spectra. Institute of Information and Mathematical Sciences, Massey University, 2011, pp 498 - 5009, Auckland, New Zealand, Mimos Berhad, Kuala Lumpur, Malaysia

4. [4] Bernasek A., Ziljak Grsic J., Bajzek S.: Infrared painting in fine art of Nada Ziljak. 5th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM 2018, www.sgemvienna.org, SGEM2018 Vienna ART Conference Proceedings, ISBN 978-619-7408-34-8 / ISSN 2367-5659, 19 - 21 March, 2018, Vol. 5, Issue 6.1; 391- 396 pp, DOI: 10.5593/sgemsocial2018H/61/S15.048 https://sgemworld.at/ssgemlib/spip.php?article5717&lang=en

5. [5] Rotar A., Dobraca I., Pogarcic I., Ziljak Grsic J.: Infraredesign in fine arts. Conference Proceedings CIVAE 2021, Madrid, pp: 92-97, �3rd Interdisciplinary and Virtual Conference on Arts in Education, ISBN 978-84-09-29615-6, e-ISSN 2445-3641; MusicoGuia

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