Recognition of transposed melodies by absolute-pitch possessors-Reference-Cited by-同舟云学术

Recognition of transposed melodies by absolute-pitch possessors

Published:2004-11 Issue:4 Volume:46 Page:270-282
ISSN:0021-5368
Container-title:Japanese Psychological Research
language:en
Short-container-title:

Author:

MIYAZAKI KEN'ICHI

Publisher

Wiley

Subject

General Psychology

Link

http://onlinelibrary.wiley.com/wol1/doi/10.1111/j.1468-5584.2004.00260.x/fullpdf

Reference12 articles.

1. Recognition of transposed melodies: a key-distance effect in developmental perspective;Bartlett;Journal of Experimental Psychology: Human Perception and Performance,1980

2. Recognition of transposed melodic sequences;Cuddy;Quarterly Journal of Experimental Psychology,1976

3. Melody recognition: The experimental application of rules;Cuddy;Canadian Journal of Psychology,1979

4. Context effects on melody recognition: scale-step versus interval representations;Dowling;Music Perception,1986

5. Contour, interval and pitch recognition in memory for melodies;Dowling;Journal of the Acoustical Society of America,1971

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