The Ontology of Musical Works and the Role of Intuitions: An Experimental Study-Reference-Cited by-同舟云学术

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The Ontology of Musical Works and the Role of Intuitions: An Experimental Study

Published:2017-04-24 Issue:1 Volume:26 Page:348-367
ISSN:0966-8373
Container-title:European Journal of Philosophy
language:en
Short-container-title:European Journal of Philosophy

Author:

Bartel Christopher¹^ORCID

Affiliation:

1. Department of Philosophy and Religion; Appalachian State University; USA

Publisher

Wiley

Subject

Philosophy

Link

http://onlinelibrary.wiley.com/wol1/doi/10.1111/ejop.12247/fullpdf

Reference29 articles.

1. A Case for Song: Against an (Exclusively) Recording-Centered Ontology of Rock;Bruno;Journal of Aesthetics and Art Criticism,2013

2. Can a Musical Work Be Created?;Caplan;British Journal of Aesthetics,2004

3. Defending Musical Perdurantism;Caplan;British Journal of Aesthetics,2006

4. Are Musical Works Discovered?;Cox;Journal of Aesthetics and Art Criticism,1985

Cited by 10 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Musical works are mind-independent artifacts;Synthese;2023-12-18

2. Can Artificial Intelligence Make Art?: Folk Intuitions as to whether AI-driven Robots Can Be Viewed as Artists and Produce Art;ACM Transactions on Human-Robot Interaction;2022-09-08

3. A Philosophy of Cover Songs;2022-04

4. Introduction;A Philosophy of Cover Songs;2022-04

5. Methodological worries on recent experimental philosophy of music;Philosophical Psychology;2021-10-03

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