Abstract
ABSTRACTThis article looks at how the biometric surveillance of migrants in the European Union interweaves border‐passing with the embodied capacity to pass as, or against, one's bureaucratic image. Despite biometrics' promise to eliminate photographic mediation, photo IDs are embedded in biometric regulation, which further entangles bodies and photographs. Based on ethnographic research in the Turkish city of Izmir, the migrant hotspot of Chios in Greece, and Athens' counterfeit document market, this article examines the material, embodied, and performative experiments migrants employ to pass borders while negotiating their bureaucratic images (both authentic and fake). Photographs emerge as a regime of practice through which European citizenship is enacted and exercised.
Funder
Social Science Research Council
Subject
Arts and Humanities (miscellaneous),Anthropology
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献