The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner's Tristan und Isolde
Author:
Affiliation:
1. 4 Hakotzer St., Ramat‐Hasharon, 47411, Israel
Publisher
Informa UK Limited
Subject
Psychiatry and Mental health,Clinical Psychology
Link
https://www.tandfonline.com/doi/pdf/10.1111/1745-8315.12056
Reference60 articles.
1. Wagner, ‘On Modulation’, andTristan
2. An outline of intersubjectivity: The development of recognition.
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