WHAT, AT LONG LAST, IS HISTORICAL THEORY FOR? REFLECTIONS ON HISTORICAL THEORY IN A POST‐TRUTH WORLD

Abstract

ABSTRACTThe term “post‐truth” is a capacious trope that collects threats to the stability of shared knowledge on many fronts—digitally spread disinformation, ignorance and resistance to science, unabashed lies in the public sphere, mythologizing by resurgent nationalist forces, and so on. History is particularly vulnerable to this array. Post‐truth threats to serious history produced to professional standards for research and reasoning by historians free of coercion, intimidation, or pressures for co‐optation are too blatant to need explanation. Avenues of response to the politicizing of history have been protests by public intellectuals and academics and a growing scholarly literature recording the imposition of memory laws by the police powers of numerous states. Attacks on empirical history, and the academic freedom required to sustain it, provoke clear responses, but the situation of historical theory is more problematic. Historical theory is a superstructure of analysis that presupposes the free production of history that invites and justifies the cultural work of theorizing. Reading Karen S. Feldman's Arts of Connection: Poetry, History, Epochality, an erudite, philosophical contribution to historical theory advancing a severe critique of history's fundamental powers of representation against a widening background of nationalist state‐sponsored policing of history, produced an acute cognitive dissonance in this reviewer. In this essay, I frankly acknowledge this dissonant experience and lay out some of the most egregious causes of it in history distorted and undermined to nationalist ends in Russia, Poland, Hungary, and beyond. I pose the question of whether the intellectual work of theorizing history can continue with any confidence when the ground on which theory stands is being eroded and distorted.