Why isn’t there an Uber for live music? The digitalisation of intermediaries and the limits of the platform economy-Reference-Cited by-同舟云学术

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Why isn’t there an Uber for live music? The digitalisation of intermediaries and the limits of the platform economy

Published:2021-09-12 Issue: Volume: Page:
ISSN:0268-1072
Container-title:New Technology, Work and Employment
language:en
Short-container-title:New Technol Work Employ

Author:

Azzellini Dario¹^ORCID,Greer Ian¹,Umney Charles²^ORCID

Affiliation:

1. Cornell University Ithaca New York USA

2. University of Leeds Leeds UK

Funder

European Research Council

Publisher

Wiley

Subject

Management of Technology and Innovation,Strategy and Management,Human Factors and Ergonomics

Link

https://onlinelibrary.wiley.com/doi/pdf/10.1111/ntwe.12213

Reference58 articles.

1. Aloisi A.(2018)Facing the Challenges of Platform‐Mediated Labour: The Employment Relationship in Times of Non‐Standard Work and Digital Transformation.

2. Preparing for portfolio careers in Australian music: setting a research agenda;Bartleet B.L.;Australian Journal of Music Education,2012

3. Live concert performance: an ecological approach;Behr A.;Rock Music Studies,2016

4. Collective bargaining in the arts and culture sector: an examination of symphony orchestras in Germany and the UK;Broughton A.;European Journal of Industrial Relations,2001

5. Economization, part 2: a research programme for the study of markets;Çalışkan K.;Economy and Society,2010

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