Affiliation:
1. Center for Lifespan Psychology Max Planck Institute for Human Development Berlin Germany
2. Max Planck UCL Centre for Computational Psychiatry and Ageing Research London UK
3. Max Planck UCL Centre for Computational Psychiatry and Ageing Research Berlin Germany
Abstract
AbstractPlaying music in a concert represents a multilevel interaction between musicians and the audience, where interbrain synchronization might play an essential role. Here, we simultaneously recorded electroencephalographs (EEGs) from the brains of eight people during a concert: a quartet of professional guitarists and four participants in the audience. Using phase synchronization analyses between EEG signals within and between brains, we constructed hyperbrain networks, comprising synchronized brain activity across the eight brains, and analyzed them using a graph‐theoretical approach. We found that strengths within and between brains in the delta band were higher in the quartet than in the public. Within‐brain strengths were higher and between‐brain strengths were lower in the music than in the applause condition, both particularly in the quartet group. These changes in coupling strength were accompanied by corresponding changes in the hyperbrain network topology, which were also frequency‐specific. Moreover, the network topology and the dynamical structure of guitar sounds showed specific guitar–brain, guitar–guitar, and brain–brain directional associations, indicating multilevel dynamics with upward and downward causation. Finally, the hyperbrain networks exhibit modular structures that were more stable during music performance than during applause. Our findings illustrate complex hyperbrain network interactions in a quartet and its audience during a concert.
Subject
History and Philosophy of Science,General Biochemistry, Genetics and Molecular Biology,General Neuroscience
Cited by
8 articles.
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