Affiliation:
1. Department of Philosophy Bucknell University Lewisburg Pennsylvania 17837
2. Centre for Philosophical Psychology University of Antwerp Antwerp Belgium
Abstract
ABSTRACT
Magic and stand-up comedy have a lot in common. For example, when successful, both tend to elicit laughter, and many magicians regularly perform in comedy clubs. Nevertheless, the close relationship between magic and comedy is poorly understood. The goal of this article is to explore this relationship and to defend the thesis that magic is actually a form-arguably a limit case-of stand-up comedy. This requires first introducing definitions of both stand-up comedy and magic. The core argument then deploys one of today's best-developed philosophical theories of comic amusement to show that magic, when successful, is humorous. In this way, the article contributes to our understanding of both the emotional response to magic and the nature and scope of comedy. The article begins with an analysis of Steve Martin's 1968 TV debut on the Smothers Brothers Comedy Hour, in which he performs a “socko-boffo comedy routine” that seamlessly integrates absurdist comedy with magic tricks.
Funder
H2020 European Research Council
Publisher
Oxford University Press (OUP)
Subject
Music,Philosophy,Visual Arts and Performing Arts
Reference36 articles.
1. Racist Humor: Racist Humor;Anderson;Philosophy Compass,2015
2. The Complete Works of Aristotle;Aristotle,1984
3. Horror and Humor;Carroll;The Journal of Aesthetics and Art Criticism,1999
4. Humour: A Very Short Introduction;Carroll,2014
5. Race Magic and the Yellow Peril;Chinn;The Journal of Aesthetics and Art Criticism,2019
Cited by
4 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献