The Assumptions behind Musical Stage Theory: A Reply to Letts-Reference-Cited by-同舟云学术

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The Assumptions behind Musical Stage Theory: A Reply to Letts

Published:2020-06-01 Issue:3 Volume:78 Page:362-366
ISSN:1540-6245
Container-title:The Journal of Aesthetics and Art Criticism
language:en
Short-container-title:

Author:

MORUZZI CATERINA¹^ORCID

Affiliation:

1. University of Turin Torino Italy

Publisher

Oxford University Press (OUP)

Subject

Music,Philosophy,Visual Arts and Performing Arts

Link

https://onlinelibrary.wiley.com/doi/pdf/10.1111/jaac.12742

Reference7 articles.

1. On Musical Improvisation;Alperson;The Journal of Aesthetics and Art Criticism,1984

2. Paganini Does Not Repeat: Musical Improvisation and the Type-Token Ontology;Bertinetto;Teorema: Revista Internacional de Filosofìa,2012

3. Improvisation in the Arts;Bresnahan;Philosophy Compass,2015

4. Foreword: Improvisation in the Arts;Hagberg;The Journal of Aesthetics and Art Criticism,2000

5. Is Moruzzi's Musical Stage Theory Advantaged?;Letts;The Journal of Aesthetics and Art Criticism,2020

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1. Musical Exdurantism;The Journal of Aesthetics and Art Criticism;2022-09-01

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