Dismantling the diorama: A case study in “unknowable” human remains

Abstract

AbstractBlack Americans have long been disproportionately represented among the victims of state‐sanctioned violence. In response, the Black community has mobilized around movements like Black Lives Matter and Say Her Name. However, the exploitation, objectification, and anonymization of Black bodies persists. In many academic disciplines, Black death and suffering are regularly presented as acceptable research findings. Here, we consider the role objectified Black bodies have played in upholding white supremacy within the context of the museum by piecing together the suspect itinerary of the individual whose skull is contained within Lion Attacking a Dromedary. This diorama, currently housed at the Carnegie Museum of Natural History in Pittsburgh, exemplifies how scientific institutions have perpetuated imperial scientific ideologies in their ongoing exhibitions. By engaging with Black feminism and decolonial frameworks, we present a path forward for such artifacts and consider how museums can truly support the Movement for Black Lives.