The modeling pastes of the monumental terracruda sculpture of the Silk Roads: Archaeometric study of the Tepe Narenj and Qol‐e‐tut examples (Kabul, Afghanistan)

Author:

López‐Prat Monica12ORCID,De Luca Raffaella3,Pecci Alessandra245,Mileto Simona4,Bandyopadhyay Sudipa Ray6,Bloise Andrea3,Guido Adriano3,Cipriani Mara3,Lancelotti Carla78,Carrascosa Begoña9,Noori Noor Agha10,Simón‐Cortés José‐Manuel9,Miriello Domenico311

Affiliation:

1. Department of Arts and Conservation, Conservació ‐ Restauració del Patrimoni Research Group Universitat de Barcelona Barcelona Spain

2. Institut d'Arqueologia de la Universitat de Barcelona Barcelona Spain

3. Department of Biology, Ecology and Earth Science University of Calabria Rende Italy

4. ERAAUB, Departament d'Història i Arqueologia Universitat de Barcelona Barcelona Spain

5. INSA‐UB, Institut de Recerca en Nutrició i Seguretat Alimentària de la Universitat de Barcelona Barcelona Spain

6. Department of Ancient Indian History and Culture University of Calcutta Calcutta India

7. CaSEs Research Group, Department of Humanities Universitat Pompeu Fabra Barcelona Spain

8. ICREA Catalan Institution for Research and Advanced Studies Barcelona Spain

9. Institut Universitari de Restauració del Patrimoni Universitat Politècnica de València València Spain

10. Archaeology Institute of Afghanistan Kabul Afghanistan

11. Collaborator of the Institut d'Arqueologia de la Universitat de Barcelona (IAUB) Barcelona Spain

Abstract

AbstractThis paper presents the results of the mineralogical, petrographic and chemical study of different archaeological samples related to terracruda sculptures and other elements that were part of the architectural decoration of the Buddhist sites of Tepe Narenj and Qol‐e‐tut (Kabul, Afghanistan; fifth to 11th centuries CE). The main objective of the study was to characterize the samples using an archaeometric approach. The study helped to better understand the materials involved in the modeling of Afghan sculptures and their processing, such as the different nature of the clay layers and the finishing ‘stucco’ coating. The results further indicate that similarities exist among the manufacturing process of the studied samples and that used today by an ancient caste of clay artists in West Bengal (India), suggesting the existence of a continuous technological tradition that deserves to be further explored in the future.

Publisher

Wiley

Subject

Archeology,History

Reference35 articles.

1. Barthoux J.(1930).Les Fouilles de Hadda III ‐ Figures et Figurines. Album Photographique. Memoires de la Delegation Archeologique Française en Afghanistan. Paris et Bruxelles. Les Éditions G. Van Oest.

2. Bayerová T. Gruber M. &Krist G.(2010).Technical study of polychrome clay sculptures from the Buddhist temple complex at Nako Himachal Pradesh North India». Multidisciplinary conservation: A holistic view for historic interiors (Rome 23‐24 march 2010) ‐ joint interim meeting of five icom‐cc working groups Sculpture Polychromy and Architectural Decoration 1‐11.

3. Quatrieme Campagne de Fouilles à Ai Khanoum (Bactriane);Bernard P.;Comptes Rendus des Séances de l'Académie des Inscriptions et Belles‐Lettres,1969

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3