Importing Arcadia into 18th‐century Madras: Poetics of the contact zone and the politics of genre in Eyles Irwin's Saint Thomas's Mount

Abstract

AbstractEyles Irwin (1751–1817), an East India Company official who spent much of his life in the British settlement of Fort St. George, Madras, was one of the earliest practitioners of anglophone belles lettres in the Indian subcontinent, and his writings predate the development of a robust culture of English‐language literary composition in the colony by quite a few years. The scant scholarly attention he has received belies his importance as an anticipator of the momentous literary‐historical processes that would transform India's public sphere in the 19th century. This essay offers a contextual reading of Saint Thomas's Mount (1774), his earliest extant poem, which is avowedly modelled on canonical English topographical poems like Alexander Pope's Windsor‐Forest (1713) and makes use of a host of neoclassical conventions, but which also differs from them in terms of the kind of landscape that is represented (Irwin's is a tropical landscape, with abundant mangoes, palms, and Oriental fauna, unlike Pope's pleasant, idyllic British park). However, Irwin's target readership being chiefly metropolitan, he contends with the difficulty of highlighting India's irreducible foreignness while simultaneously trying to ensure that readers in London do not find the Oriental descriptions too alien, incredible, and unrelatable. The authorial strategies he adopts to navigate this difficulty constitute the focus of the first part of the essay. The second (and final) part seeks to shed light on his hybrid, hyphenated identity as an Indian‐born Irish poet, and on his perception of himself as somehow fundamentally unlike those Britons who never ventured beyond the geographical confines of Europe, let alone setting down roots in places on the very fringes of the British empire. The affiliative bonds he forges with expatriate colonial officials living in and confronting the hardships of life in the monsoonal tropics mark him as a member of the steadily growing community of Anglo‐Indians in the Indian subcontinent. While noting the shifting connotations of the term ‘Anglo‐Indian’ in the 18th and 19th centuries, this essay will also examine the implications of identifying Irwin as a member of this initially amorphous but steadily growing community.