Abstract
AbstractPopular music has a long and varied association with politics. It has provided the soundtrack to political protest and been the object of political censorship; politicians have courted pop stars and pop stars — like Bono of U2 — have acted as politicians. But although these more familiar aspects of pop's connections to politics have been noted in passing, they have not received a great deal of academic attention, and there are other aspects of the relationship — the state's role as sponsor of popular music, for instance — which have been largely ignored. This article explores the various dimensions of the interaction between popular music and politics, and argues that the study of music can contribute to our understanding of political thought and action.
Publisher
Cambridge University Press (CUP)
Subject
Public Administration,Sociology and Political Science
Cited by
66 articles.
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