Mondrian’s rendition of Schopenhauer’s metaphysics of will and disinterested aesthetic experience

Abstract

Despite the pivotal role of German philosopher Arthur Schopenhauer (1788-1860) in the sophistication of Modern aesthetics and art theories in the 20th century and his special attention to aesthetic experience, considerably little is known about the impacts of his aesthetic theory, particularly pertaining his account on conception disinterested aesthetic experience formed based on his metaphysics of will, on some of the most enriched Modern art theories like Piet Mondrian’s Neo-Plasticism. On the other side of the spectrum, Mondrian’s Neo-Plastic paintings, his universal pure abstract style, have been well examined through historical approaches and Modernist theories, especially about the Greenbergian account and Modern styles like De Stijl art movement in the last few decades. Moreover, his quasi-philosophical writings have been vastly scrutinized in the light of their impacts on Theosophic, Platonic, and Hegelian doctrines. Interestingly, Mondrian, in his theoretical writings, explicitly refers to the Schopenhauerian conception of disinterested contemplation and the requirements for having a universal aesthetic experience. Yet, Mondrian’s account of Schopenhauer’s notion of disinterested contemplation, namely for notions like individual will, Will, intellect, cessation of subserviency of intellect to the will, and so on, has not been scrutinized through an aesthetic lens. Hence, this article first aims to investigate Mondrian’s rendition of Schopenhauer’s metaphysics of will and his account of disinterested aesthetic experience. Indeed, this article proposes this hypothesis that Mondrian, who always sought to unveil the Platonic Idea of an objective manifestation of a universal equilibrium (harmony) or pure beauty as truth through his universal Neo-Plastic art, was heavily influenced by Schopenhauer’s metaphysics of will and his attitude toward aesthetic contemplation which is disinterested and objective. At the end of this article, it becomes clear that Mondrian’s conception of pure intuition and his contemplative approach to aesthetic experience intimately conform to Schopenhauer’s view on the notion of disinterested aesthetic attention or contemplation narrated within his metaphysics of will.