The Perception of Microsound and its Musical Implications-Reference-Cited by-同舟云学术

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The Perception of Microsound and its Musical Implications

Published:2003-11 Issue:1 Volume:999 Page:272-281
ISSN:0077-8923
Container-title:Annals of the New York Academy of Sciences
language:en
Short-container-title:

Author:

ROADS CURTIS

Publisher

Wiley

Subject

History and Philosophy of Science,General Biochemistry, Genetics and Molecular Biology,General Neuroscience

Link

http://onlinelibrary.wiley.com/wol1/doi/10.1196/annals.1284.038/fullpdf

Reference47 articles.

1. Theory of communication;Gabor;J. Inst. Elect. Eng. Pt. 3,1946

2. Acoustical quanta and the theory of hearing;Gabor;Nature,1947

3. 3Gabor, D. 1952. Lectures on communication theory. Technical Report 238. Research Laboratory of Electronics. Massachusetts Institute of Technology. Cambridge, MA.

4. Automated granular synthesis of sound;Roads;Comput. Music J.,1978

5. Sound composition with pulsars;Roads;J. Audio Eng. Soc.,2001

Cited by 3 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. What Can the Temporal Structure of Auditory Perception Tell Us about Musical “Timelessness”?;Music Theory Online;2018-09

2. Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum;Music Perception;2016-02-01

3. Translation from Neurobiological Data to Music Parameters;Annals of the New York Academy of Sciences;2003-11

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