Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century-Reference-Cited by-同舟云学术

Conversations of the “Gallant” Era. Harmonic Features of Italian Vocal Duets and Dialogues in the Music of the First Half of the 17th Century

Published:2022-12-14 Issue:3 Volume:3 Page:33-50
ISSN:2713-301X
Container-title:Sphere of culture
language:
Short-container-title:Sphere of culture

Author:

Popova Margarita M.

Abstract

The article deals with two genres of Italian vocal music of the beginning of the 17th century: the duet and the dialogue. The preconditions of their emergence and stylistic differences are revealed based on the principles of expressing poetic texts in music. This difference manifests itself most fully in the harmonic solution of a vocal piece, so special attention is paid to both the poetic text and its musical expression; in so doing, certain regularities of the musical-poetic formal structure are revealed, illustrated by analytical essays as exemplified by two vocal pieces of the stated time period.

Publisher

Federal State Budgetary Educational Institution of Higher Education - Samara State Institute of Culture

Subject

Materials Chemistry

Reference25 articles.

1. Whenham, J. (1982) Duet and Dialogue in the Age of Monteverdi. Vols. 1-2. Ann-Arbor: UMI Research Press. (In English).

2. Yuneeva, E.A. (2015) Muzykal’naya kul’tura Italii XVII – XVIII vv.: fenomen barochnoj opery: avtoreferat dissertacii … kandidata iskusstvovedeniya [The Seventeenth-eighteenth-century Musical Culture of Italy: the Phenomenon of Baroque Opera: an abstract of the Ph.D. thesis in art studies]. Volgograd. (In Russian).

3. Zhuravleva, O.I. (2021) Ital’yanskij muzykal’nyj teatr e’poxi barokko: ego tradicii v sovremennom vokal’nom ispolnitel’stve i obrazovanii [Italian Musical Theater of the Time of Baroque: Its Traditions in Contemporary Vocal Performance and Education]. Razvitie sovremennogo obrazovaniya: opyt teoreticheskogo i e’mpiricheskogo analiza: kollektivnaya monografiya [The Development of Today’s Education: An Experience of Theoretical and Empirical Analysis: a collective monograph]. Petrozavodsk, 104-131. (In Russian).

4. Bulycheva, A.V. (2004) Sady Armidy: Muzykal’nyj teatr francuzskogo barokko [Armida’s Gardens: French Musical Theater of the Time of Baroque]. Moscow. (In Russian).

5. Nogovicyna, K.A. (2015) Svetskij vokal’no-instrumental’nyj koncert v tvorchestve B’yadzho Marini i ego severoital’yanskix sovremennikov: avtoreferat dissertacii … kandidata iskusstvovedeniya [The Secular Vocal-Instrumental Concerto in the Oeuvre of Biagio Marini and His North-Italian Contemporaries: an abstract of the Ph.D. thesis in art studies]. Tchaikovsky Moscow State Conservatory. (In Russian).