1. Brown, C. (2004). Apocalyptic unbound: An interpretation of Christian speed/thrash metal music. In G. N. Lundskow (Ed.), Religious innovation in a global age: Essays on the construction of spirituality (pp. 117-137). Jefferson, NC:McFarland & Company.
2. Chen, P.Y. (2004). The chant of the pure and the music of the popular: Conceptual transformations in contemporary Chinese Buddhist chants. Asian Music, 35 (2), 79-97.
3. Chen, P.Y. (2005). Buddhist chant, devotional song, and commercial popular music: From ritual to rock mantra. Ethnomusicology, 49 (2), 266-86.
4. Clark, L.S. (2006). Introduction to a forum on religion, popular music, and globalization. Journal of the Scientific Study of Religion, 45(4), 475-479.
5. Dissanayake, E. (2006). Ritual and ritualization: Musical means of conveying and shaping emotion in humans and other animals. In S. Brown, & U. Voglsten (Eds.), Music and manipulation: On the social uses and social control of music (pp. 31-56). Oxford: Berghahn Books.