The mind on stage: why cognitive scientists should study acting

Author:

Goldstein Thalia R.,Bloom Paul

Publisher

Elsevier BV

Subject

Cognitive Neuroscience,Experimental and Cognitive Psychology,Neuropsychology and Physiological Psychology

Reference13 articles.

1. The Purpose of Playing: Modern Acting Theories in Perspective;Gordon,2006

2. The Art of the Actor: The Essential History of Acting, from Classical Times to the Present Day;Benedetti,2007

3. Becoming symbol-minded;Deloache;Trends Cogn. Sci.,2004

4. Signs of pretense across age and scenario;Lillard;Infancy,2007

5. Social and cognitive correlates of children's lying behavior;Talwar;Child Dev.,2008

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1. Sense-sational acting: Intuition in actors is supported by interoceptive, exteroceptive, and immersive abilities.;Psychology of Aesthetics, Creativity, and the Arts;2024-02-08

2. The Consciousness of Acting: The Effect of Divided and Unified Consciousness on Acting Performance;Journal of Consciousness Studies;2024-02-01

3. Acting and pretending;Theoria;2024-02

4. Creative Empathy;Creativity Research Journal;2023-07-04

5. The Theater Controversies in Early Modern England;Venus’s Palace;2023-01-19

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