1. Event schemas, story schemas, and story grammars;Brewer,1981
2. Actual minds, possible worlds;Bruner,1986
3. ‘Psychical distance’ as a factor in art and as an aesthetic principle;Bullough;British Journal of Psychology,1912
4. Suspense and disorientation: Two poles of emotionally charged literary uncertainty;Cupchik,1996
5. Identification as a basic problem for aesthetic reception;Cupchik,1997