Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam-Reference-Cited by-同舟云学术

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Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam

Published:2014-02 Issue: Volume:42 Page:40-59
ISSN:0304-422X
Container-title:Poetics
language:en
Short-container-title:Poetics

Author:

de Valck Marijke

Publisher

Elsevier BV

Subject

Literature and Literary Theory,Linguistics and Language,Communication,Language and Linguistics

Reference65 articles.

1. The Pusan International Film Festivals: South Korean Cinema and Globalization;Ahn,2012

2. Cultures and Globalization: The Cultural Economy,2008

3. Intellectualization and art world development: film in the United States;Baumann;American Sociological Review,2001

4. Down and Dirty Picture: Miramax, Sundance, and the Rise of the Independent Film;Biskind,2004

5. The art cinema as a mode of practice;Bordwell,2002

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1. Reshaping production practices: European film festivals, new Indonesian cinema, and the creative producer;New Review of Film and Television Studies;2024-04-02

2. Branding collaborative pan-Asian authorship in the transnational works of New Thai cinema auteur Pen-ek Ratanaruang;Transnational Screens;2024-01-02

3. Biennale College Cinema: Film Funding as a Financial and Educational Initiative;Quarterly Review of Film and Video;2023-05-11

4. Creative Hustling;Distribution Matters;2023-02-28

5. Formation of Personal Moral Values in Complex Social Systems;Complex Social Systems in Dynamic Environments;2023

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