Bayeux Tapestry: First use of early synthetic dyes for the restoration of a masterpiece-Reference-Cited by-同舟云学术

Bayeux Tapestry: First use of early synthetic dyes for the restoration of a masterpiece

Published:2022-12 Issue: Volume:208 Page:110798
ISSN:0143-7208
Container-title:Dyes and Pigments
language:en
Short-container-title:Dyes and Pigments

Author:

Chavanne Clarisse^ORCID,Verney Antoine,Paquier-Berthelot Clémentine,Bostal Martin,Buléon Pascal,Walter Philippe^ORCID

Funder

Centre National de la Recherche Scientifique

Publisher

Elsevier BV

Subject

Process Chemistry and Technology,General Chemical Engineering

Reference42 articles.

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2. Manufacture, analysis and conservation strategies for historic tapestries;Duffus,2013

3. La Dame à la licorne, sa conservation et l’évaluation colorimétrique du nettoyage;Taburet-Delahaye;Technè Sci Au Serv L’histoire L’art Préservation Biens Cult,2015

4. Synthetic organic dyes, 1856–1901: an introductory literature review of their use and related issues in textile conservation;Barnett;Stud Conserv,2007

5. A brief historical perspective;Colour,2007

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1. Ephemeral Orchil in the Lady and the Unicorn Tapestry: Recipe, Experimentation, and Characterisation;Heritage;2024-06-30

2. Unraveling a Historical Mystery: Identification of a Lichen Dye Source in a Fifteenth Century Medieval Tapestry;Heritage;2024-05-01

3. An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage;Heritage;2024-03-28

4. On the reliability of historic books as sources of reference samples of early synthetic dyes – The case of “The Coal Tar Colours of the Farbwerke vorm. Meister, Lucius & Brüning, Höchst on the Main, Germany – A General Part” (1896);Dyes and Pigments;2024-01

5. 3D surface Approximation of the Entire Bayeux Tapestry for Improved Pedagogical Access;2023 IEEE/CVF International Conference on Computer Vision Workshops (ICCVW);2023-10-02