Po cóż patrzeć pod wodę? Obrazy nie-ludzkich seksualności w amfibiotycznym kinie Jeana Painlevégo

Author:

Dudzińska Paulina1ORCID

Affiliation:

1. Uniwersytet Warszawski

Abstract

The article discusses the anthropomorphic strategies of presenting sex lives of non-human creatures in the cinematic works of Jean Painlevé (1902–1989). Regarding queer studies, I closely analyse the Love life of the octopus (1965), Sea horse (1934), Acera or the witches dance (1972). These films enable the formulation of the concepts of sex and sexuality that surpass the frames of anthropocentric, reprosexual heterorealism. I also discuss the theory of sexuality in the works of Deleuze and Guattari, indicating their concepts as productive to articulate the notions of sex and sexuality that are inclusive to the non-human.

Publisher

University of Warsaw

Subject

Psychiatry and Mental health

Reference46 articles.

1. Agamben Giorgio, Otwarte, przeł. Paweł Mościcki, "Krytyka Polityczna" 2008, nr 15, s. 124-138.

2. Alaimo Stacy, Bodily Natures: Science, Environment, and the Material Self, Bloomington: Indiana University Press 2010.

3. Bagemihl Bruce, Biologica Exuberance. Animal Homosexuality and Natural Diversity, New York: St. Martin's Press 1999.

4. Barad Karen, Nature's Queer Performativity, "Qui Parle" 2011, nr 2, s. 121-158. https://doi.org/10.5250/quiparle.19.2.0121

5. Beckman Frida, Between Desire and Pleasure. A Deleuzian Theory of Sexuality, Edinburgh: Edinburgh University Press 2013. https://doi.org/10.3366/edinburgh/9780748645923.001.0001

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