Architecture as a tool for aesthetic and political thought

Author:

Symeonidis Thomas

Abstract

Despite the usual approach of architecture in terms of conception, design and construction of the built environment in our paper we will argue that architecture can be used as a tool for aesthetic and political thought. To this end we will rely on definitions of architecture emphasising either its aspects of principle (arché) or construction either its relational character. In this regard, architecture will be used as a means for conceptualising and thinking issues at the intersection of the two pivotal notions of political theory - equality and justice. Our main hypothesis will be that in the contemporary aesthetic regime the thought of aesthetics is indissosiable from politics endorsing in that way the main aspects of Jacques Rancière's relevant contributions. In our analysis, we will first show the affinity between the political and aesthetic thought and then elaborate on aspects of architecture such as scale, type, form, diagram, history and hierarchy in order to show the functioning of architecture as a tool of thought. To this end we will provide a solid scheme and definitions of thought drawing from contemporary philosophy. By establishing analogies between the process of thought and the processes of architecture we will eventually attempt to show that architecture can be used in an inverted manner so as to shed light on matters of aesthetic and political theory and practice.

Publisher

Centre for Evaluation in Education and Science (CEON/CEES)

Reference18 articles.

1. Aicher, O. The world as design. Wiley, 1991.;

2. Birkhaüser, C. Tools for Ideas: An Introduction to Architectural Design. Verlag, 2007.;

3. Derrida, J. Les arts de l'espace, écrits et interventions sur l'architectur. Editions de la différence, 2015.;

4. Dogan, F. and N. Nersessian. "Conceptual Diagrams: Representing Ideas in Design." In Diagrams, edited by Hegarty, M. et all, 353-355. 2002.;

5. Gadamer, Hans-Georg. Praise of Theory. Translated by Chris Dawson. New Haven: Yale University Press, 1998.;

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