Abstract
Even before the emergence of the fashion sustainability movement, some European and Japanese fashion designers were active in inventing new creative principles. Key examples of such designers are: Martin Margiela, Rei Kawakubo, Yohji Yamamoto and Issey Miyake. They have created a completely new, different and personal style in fashion, as a consequence of exceptional aesthetic creativity. With their ingenious creativity and by pushing the boundaries in fashion design and artistic creation, they managed to create a basis for the development of modern sustainable fashion. Among the creative-experimental solutions available to a fashion designer as a strategy for sustainable fashion design, the creation of clothes without fabric waste ("zero-waste") stands out. The inspiration for such a creative-experimental design solution can be found in methods and techniques of traditional Japanese paper folding skills - origami, as well as in traditional Japanese costume - kimono. The introduction of this concept into fashion provides an opportunity not only to reshape the relation between body and clothing, but also has the potential to create clothing design based on sustainability and a new universality in the twenty-first century. Nevertheless, following the approach of famous designers, it can be seen that for success in sustainable fashion design is necessary to master the fundamentals of traditional and sometimes forgotten craftmanship, which could surely lead to further progress by upgrading one's own ideas.
Publisher
Centre for Evaluation in Education and Science (CEON/CEES)
Subject
Industrial and Manufacturing Engineering,Polymers and Plastics,General Agricultural and Biological Sciences,Business and International Management
Reference36 articles.
1. Jocić, S. (2022). Održivost u modi -Uloga modnog dizajnera u oblikovanju ekološko prihvatljive i društveno odgovorne budućnosti, Tekstilna industrija, 70 (1), 12-22.;
2. United Nations, Report of the World Commission on Environment and Development, "Our common future", General Assembly Resolution 42/187, 11 December 1987. (https://digitallibrary.un.org/ record/139811, dostupno: 08.10.2021.).;
3. Seeling, C. (2010). Fashion, 150 Years: Couturiers, Designers, Labels, Tandem Verlag GmbH, Potsdam, Germany.;
4. Granata, F. (2012). Deconstruction fashion: Carnival and the grotesque, Journal of Design History, 26 (2), 182-198.;
5. Gill, A. (1998). Deconstruction Fashion: The Making of Unfi nished, Decomposing and Re-assembled Clothes, Fashion Theory, 2 (1), 25-50.;
Cited by
4 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献