Jonathan Harvey's String Trio: The rustic and the sacred-Reference-Cited by-同舟云学术

Jonathan Harvey's String Trio: The rustic and the sacred

Published:2022 Issue:60-2 Volume: Page:149-176
ISSN:0354-818X
Container-title:New Sound
language:en
Short-container-title:New Sound

Author:

Emmery Laura

Abstract

In his Program Note for the String Trio (2004), Jonathan Harvey noted that this work features "two main (and contrasting) types of music-the rustic and the sacred." Harvey defines his "rustic" style as folkloristic, while the "sacred" is based on his liturgical drama, Passion and Resurrection. In this article, I examine Harvey's use of both conventional and experimental techniques and distinct gestures to examine the two contrasting worlds of the worldly and the ethereal, which ultimately fuse through Harvey's musical and spiritual journey in this work.

Publisher

Centre for Evaluation in Education and Science (CEON/CEES)

Subject

Ocean Engineering

Link

https://scindeks-clanci.ceon.rs/data/pdf/0354-818X/2022/0354-818X2260149E.pdf

Reference32 articles.

1. Downes, Michael: Jonathan Harvey: Song Offerings and White as Jasmine. Farnham: Ashgate, 2009;

2. Emmery, Laura: "Gender Identity and Gestural Representations in Jonathan Harvey's String Quartet No. 2", Music Theory Online, 27/3, 2021. https://mtosmt.org/ issues/mto.21.27.3/mto.21.27.3.emmery.html#jones_2009;

3. Felici, Candida, and Stefano Lombardi Vallauri (Eds.): Jonathan Harvey. Special issue of Nuove Musiche, 3, 2017;

4. Fétis, François-Joseph: Traité complet de la théorie et de la pratique de l'harmonie, 6th ed. Paris: G. Brandus, 1858 (1844);

5. Gilbert, Anthony: "The British Quartet", in: Douglas Jarman (Ed.), The Twentieth Century String Quartet. Manchester: Royal Northern College of Music in association with Arc Music, 2002, 93-108;