Monographs on composers as a musicological genre

Author:

Milin Melita

Abstract

Monographs on composer may considerably diverge from one another, depending on their authors' fundamental views concerning the way and extent to which biographical data should be used in relation to music analysis. So as not to lapse into mere music Biographik, a monograph should encompass the life and works of its subject in a complementary way-with all the necessary contextualization - and bring them into a meaningful relationship in a well thought-out and critical manner. That ideal goal should be pursued, although usually the result is a more or less successful hybrid of a biography and music analysis.

Publisher

Centre for Evaluation in Education and Science (CEON/CEES)

Reference28 articles.

1. Petar Konjović, Miloje Milojević, kompozitor i muzički pisac [Miloje Milojević, Composer and Writer on Music], Belgrade, Serbian Academy of Sciences, Department of Fine Arts and Music, 1954;

2. Stevan St. Mokranjac [Stevan St. Mokranjac], Belgrade, Nolit, 1956;

3. "Auto/biographical Discourse in Serbian Musical Periodicals (1993-2007): The Positioning of the Female Voice", in: Tatjana Marković & Vesna Mikić (eds), (Auto) Biography as a Musicological Discourse, Belgrade, Department of Musicology, Faculty of Music & University of Arts in Belgrade, 2010, 184;

4. Vlastimir Peričić, Josif Marinković - život i dela [Josif Marinković: Life and Works], Belgrade, Serbian Academy of Sciences and Arts, 1967;

5. Vlastimir Peričić, Stvaralački put Stanojla Rajičića [The Creative Path of Stanojlo Rajičić], Belgrade, Academy of the Arts, 1971;

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