Abstract
The article focuses on the issue of reconnecting with the non-human world of animals and plants that can be encountered in the city, as presented in Esther Woolfson’s book Field Notes from a Hidden City: An Urban Nature Diary. Even though it deals with an urban environment, the book can be treated as an instance of nature writing, more specifically British new nature writing. By focusing on non-human beings living in the city, Woolfson makes them more salient in the readers’ minds, demonstrating that direct contact with nature is not limited to the wilderness or the countryside and is accessible to anyone, regardless of where they live. At the same time, her diary reveals underlying sorrow connected with the gradual loss of species, populations, habitats, and familiar weather patterns, as well as uncertainty as to what can and should be done to protect the environment and the living beings that inhabit it.
Reference18 articles.
1. Abberley, Will, Christina Alt, David Higgins, Graham Huggan, and Pippa Marland. Modern British Nature Writing, 1789-2020: Land Lines. Cambridge UP, 2022.
2. Allister, Mark. Refiguring the Map of Sorrow: Nature Writing and Autobiography. UP of Virginia, 2001.
3. Branch, Michael P. "Finding Home: Teaching Nature Writing in the Urban Multicultural Setting." Organization & Environment, vol. 13, no. 3, 2000, pp. 354-362.
4. Clark, Timothy. The Cambridge Introduction to Literature and the Environment. Cambridge UP, 2011.
5. Garrard, Greg. Ecocriticism. Routledge, 2004.