A WORK OF ART IN THE SPACE OF NETWORK CULTURE: CREATIVITY AS BRICOLAGE

Author:

Safina Aynur1ORCID,Gaynullina Liliana1ORCID,Cherepanova Ekaterina2ORCID

Affiliation:

1. Department of History and Philosophy, Kazan State University of Architecture and Engineering, Zelenaya str. 1, 420043, Kazan, Russia

2. Department of History of Philosophy, Philosophical Anthropology, Aesthetics and Theory of Culture, Ural Federal University, Mira str. 19, 620002, Ekaterinburg, Russia

Abstract

The development of modern informational-communication technologies has led to the occurrence of the new unique sociocultural phenomenon – a network culture, with irony as the dominating rhetoric. In the space of network culture, under digital technologies, the forms, types, and functions of art, and creativity in general, change. The paper states that communication becomes the main function of art, while a work of art more and more becomes an object of communication. The authors propose to broaden the volume of creativity conception, going beyond the classical interpretation towards a broader understanding of this phenomenon, namely, creativity as bricolage. The methodological basis of the bricolage model of creativity, relevant for the new media art, is the concept of “bricolage” developed by Claude Lévi-Strauss.

Publisher

Vilnius Gediminas Technical University

Subject

Political Science and International Relations,Sociology and Political Science,Cultural Studies

Reference41 articles.

1. The Californian ideology

2. Barthes, R. (1967). The death of the author, Aspen 5–6. http://www.ubu.com/aspen/aspen5and6/three-Essays.html#barthes

3. Benjamin, W. (1936). The work of art in the age of mechanical reproduction. https://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm

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