ROBOTIC THEATRE: COMPARATIVE ANALYSIS OF HUMAN AND MECHANIZED ACTIVITIES IN THE CREATIVE PROCESS

Author:

Sovhyra Tetiana1ORCID

Affiliation:

1. Variety Art Department, Faculty of Variety Art Directing, Kyiv National University of Culture and Arts, Konovalets str. 36, 01601 Kyiv, Ukraine

Abstract

The article systematizes and analyzes the existing experience of organizing the creative process in a robotic theater. The author explores the robotic theater phenomenon, the artificial intelligence technology possibilities to function in the stage space. The article provides a comparative analysis of human and mechanized interaction in the stage space. The methodological basis of the research is a combination of several methods: analytical – for accounting for historical and fictional literature; theoretical and conceptual method – for analyzing the conceptual and terminological system of research and identifying the specifics of introducing the artificial intelligence technology in creative process; comparative-typological – to compare the peculiarities of the functioning of mechanized “actors” with the acting skills of human performers. The article explores the threat perception and uncanny valley concepts to study the perception of a robot–actor by an audience. The author examines the process of human interaction with a robotic body: from the moment of interest, interaction to the moment of rejection of the robot by a person (audience).

Publisher

Vilnius Gediminas Technical University

Subject

Political Science and International Relations,Sociology and Political Science,Cultural Studies

Reference36 articles.

1. Abbott, A. E. (1992). Flatland: A romance of many dimensions. In Ph. Smith (Ed.), Dover thrift editions. S. Appelbaum (General Ed.). Dover Publications, Inc.

2. Bruce, A., Knight, J., Listopad, S., Magerko, B., & Nourbakhsh, I. R. (2000, 24–28 April). Robot improv: using drama to create believable agents. In Proceedings 2000 ICRA, Millennium Conference. International Conference on Robotics and Automation. Symposia Proceedings (Cat. No.00CH37065) (pp. 4002–4008). San Francisco, California, United States. Institute of Electrical and Electronics Engineers.

3. Does the uncanny valley exist? An empirical test of the relationship between eeriness and the human likeness of digitally created faces

4. Colton, S., & Wiggins, G. A. (2012, 27–31 August). Computational creativity: the final frontier? In L. De Raedt, Ch. Bessiere, D. Dubois, P. Doherty, & P. Frasconi (Eds.), ECAI’12: Proceedings of the 20th European Conference on Artificial Intelligence (pp. 21–26). Montpellier, France. IOS Press

5. Blurring Human–Machine Distinctions: Anthropomorphic Appearance in Social Robots as a Threat to Human Distinctiveness

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3