1970'ten bu yana Fransız spektral müziğinin ve somut müziğin determinizmini algılamanın Kore yolu

Abstract

A poetics of music is a consciously created theory about how music can be composed. An ideally strong deterministic composition generates multiple musical elements rigidly and automatically under the premises set by a strong poetic determinist. A weakly deterministic composition, as created by the weak poetic determinist, generates small elements somewhat automatically and logically. In contrast, poetic libertarians compose music without planning and as their fancy dictates. We use these definitions to classify certain French spectral and concrete composers and their pieces as either strongly deterministic, weakly deterministic, or free. We surveyed Koreans to establish whether they heard these genres and composers as such. We also asked about their psycho-social backgrounds. We identified ① a positive correlation between perceiving musical determinism/libertarianism and understanding determinism/libertarianism; ② associative/implicit perception of determinism/libertarianism by many respondents; ③ generally low musical theory of mind (MTOM); ④ women’s relatively high MTOM; ⑤ few associations among the participants between virtual causality and concrete pieces; in addition, ⑥ libertarians outnumbered determinists; ⑦ determinists were a minority who had cognitive ability and musicality; ⑧ determinists could evaluate the deterministic spectral pieces and libertarians the free concrete pieces; and ⑨ there was a positive correlation between the respondents’ perceptual/cognitive abilities and their social achievements.