Pre-existing classical music in French auteur cinema in the 2010s-Reference-Cited by-同舟云学术

Pre-existing classical music in French auteur cinema in the 2010s

Published:2023-10-04 Issue:1 Volume:30 Page:
ISSN:1980-3729
Container-title:Revista FAMECOS
language:
Short-container-title:Rev. Famecos (Online)

Author:

Amorim Melo Alvim Luíza Beatriz^ORCID

Abstract

In the Nouvelle Vague, there was a relevant use of music of classical repertoire (Alvim, 2017), usually aligned to the director’s taste (“auter music”, according to Gorbman, 2007), such as Beethoven´s pieces in Godard’s films. In contemporary French films, there is a recurrence of works by Bach and Vivaldi, which could partly be explained by their omnipresence in digital platforms. In a chosen corpus from films selected by the Cannes Film Festivals in the 2010s, we analyze the aesthetic use of this baroque repertoire and the motivations for the choice.

Publisher

EDIPUCRS

Subject

General Medicine

Reference22 articles.

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