The relationship between Casement and Conrad has long fascinated many, with W.G. Sebald fictionalising their meeting in The Rings of Saturn (1998) as part of the text’s engagement with Conrad’s novella and archival trail. For Sebald, Casement galvanises a set of interlinked preoccupations: the catastrophes of modernity, state-sponsored violence, the fragility of memory and the unavoidable spectre of history. Tracing the dialogue between these two works - embodied by Casement’s ghost - enables us to read the metamodernist aesthetics of Sebald as a form of ghostly intertextual memory, indicative of the post-imperial debris that continues to haunt our contemporary moment. Reading Heart of Darkness through The Rings of Saturn opens up both texts in enabling, fruitful ways; just as reading Casement through Conrad’s archive provides us with novel ways of reading the two men and Conrad’s work.