Armenian women's embodiment in a phenomenon of war

Author:

Pogossian Sona1

Affiliation:

1. Université du Québec à Montréal

Abstract

This project aims to highlight the construction of Armenian women’s identities through their bodily expression, which involves the practice of dance, social phenomenology, and the representation of gender in the context of war. Using fieldwork examples, this essay seeks to report on the gestures of emancipation of women within patriarchal, neocolonial, and militarized systems, which frequently disrupt dominant thoughts and practices.

Publisher

University of Michigan Library

Reference19 articles.

1. Archaic ritual theater from the ceremonial glade to theater square;Abrahamian, L. A.;Soviet Anthropology and Archeology,2019

2. Ahmed, S. (2012, February). Les rabat-joie féministes (et autres sujets obstinés). Cahiers du Genre, 77–98. https://www.cairn.info/revue-cahiers-du-genre-2012-2-page-77.htm; 10.3917/cdge.053.0077

3. Arts and heritage of Afghanistan: One hundred years of archaeological research 1922–2022, Conference, November 18–19, 2022, INALCO. https://www.youtube.com/watch?v=rMO0HLHiFAo

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