Affiliation:
1. The National Institute for Health and Care Research Applied Research Collaboration West (NIHR ARC West) at University Hospitals Bristol and Weston NHS Foundation Trust
2. Bath Spa University
3. University of Bristol
4. Coney Ltd
5. ZU-UK Zecora Ura Theatre Company Limited by Guarantee, St Mary’s Complex
6. Freelance artist and illustrator
7. Knowle West Media Centre
Abstract
Abstract
Background
Creative methods/practices have been highlighted as helpful to develop more collaborative, equitable research partnerships between researchers and communities/ public-participants. We asked artist partners to design four online workshops, one on each research priority area: school environments and mental health, wellbeing within the Somali community, air pollution, health data. We aimed to understand whether creative processes can enable public-participants and researcher- participants to meet in a neutral space to discuss a research theme and begin to build collaborative relationships through level engagement. Ideas could be taken forwards with seed funding, providing opportunity for collaboration to continue beyond initial workshops.
Methods
Three artist partners designed and facilitated four workshops. Evaluation data was collected on each workshop using participatory observation and fieldnotes, alongside chatlog data, and one-to-one interviews with 21 workshop participants, providing a contextually rich, comparative evaluation across four diverse workshops. Analysis was thematically driven.
Results
Artist partners took different approaches to designing workshops. The workshops began with introductory games and activities, and there was less emphasis on introductions of people’s roles, aiming to create a more level starting position. Whilst public-participants enjoyed this, some researchers found it challenging and reported confusions over their workshop roles. Disrupting usual practice and challenging norms was not always an easy experience. There were examples where emergent, co-created knowledge was enabled. However, it was more challenging to facilitate longer-term collaborative research projects from the workshops due to different stakeholder priorities, and lack of staff time/ less sense of ownership for further work.
Conclusions
Creative activities can influence and impact the types of conversations between public-participants and researchers in a way that changes and challenges power dynamics, shifting towards public-participant driven discussion. Whilst deconstructing hierarchies is important, supporting researchers is key so that any discomfort can be productive and experienced as a vital part of co-production. Longer term collaborative research projects were limited, highlighting a need for facilitation beyond initial workshops, and a sense of ownership from workshop participants to take things forwards. Workshops like these may lend themselves well to research prioritisation. However, taking community-led ideas forwards within research funding landscapes remains challenging.
Publisher
Research Square Platform LLC
Reference36 articles.
1. Hickey G, Brearley S, Coldham T, Denegri S, Green G, Staniszewska S, et al. Guidance on co-producing a research project. Southampton: NIHR INVOLVE; 2018.
2. Boydell K, Gladstone BM, Volpe T, Allemang B, Stasiulis E. The Production and Dissemination of Knowledge: A Scoping Review of Arts-Based Health Research. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research. 2012;13(1).
3. Arts-based co-production in participatory research: harnessing creativity in the tension between process and product;Phillips L;Evid Policy,2022
4. Creative processes in co-designing a co-design hub: towards system change in health and social services in collaboration with structurally vulnerable populations;Micsinszki SK;Evid Policy,2022
5. Improving knowledge mobilisation in healthcare: a qualitative exploration of creative co-design methods;Grindell C;Evid Policy,2022
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献