Scratching the surface of Scotland's prehistoric rock art: A multiscalar methodology for holistic analysis of context and design

Author:

Barnett Tertia1,Valdez-Tullett Joana1,Bjerketvedt Linda Marie1,Alexander-Reid Frederick1,Hoole Maya1,Jeffrey Stuart2,Robin Guillaume3

Affiliation:

1. Historic Environment Scotland

2. University of Glasgow

3. University of Edinburgh

Abstract

Abstract Prehistoric rock carvings are one of Scotland’s most enigmatic and poorly understood monument types. This article discusses the pioneering approach used by Scotland’s Rock Art Project to enhance understanding of the abstract motifs through multiscalar computational analyses of a large dataset co-produced with community teams. The analysis incorporates data from across the country in order to investigate inter-regional differences and similarities in the nature and contexts of the carvings. Innovative application of complementary analytical methods identified subtle regional variations in the character of the rock art and motif types. This variability suggest an understanding of the rock art tradition that was widely shared but locally adapted, and reflects connections and knowledge exchange between specific regions.

Publisher

Research Square Platform LLC

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3. Allen, J. R. (1882). Notes on some undescribed stones with cup-markings in Scotland. Proceedings of the Society of Antiquaries of Scotland, 16, 79–143.

4. Alves, A. (2003). The movement of signs. Post-glacial rock art in North-West Iberia. PhD Thesis, University of Reading.

5. The return of the Beaker Folk? Rethinking migration and population change in British prehistory;Armit I;Antiquity,2021

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