(Re)examining the relationship between music and dance from the perspective of learning and memorizing folk dance choreography

Author:

Krasin-Matic Maja1

Affiliation:

1. Belgrade Dance Institute, Belgrade, Serbia

Abstract

This article contributes to the study of the relationship between music and dance through the elaboration of questions such as: how music and dance coexist in the perception of the performer; whether dance is always inseparable from music or it becomes independent from it in formal learning conditions; whether music influences learning and memorising the choreography of the folk dance. Incorporating aspects of cognitive research into the study fields of ethnomusicology and ethnochoreology creates fertile ground for (re)examining previous opinions about the relationship between music and dance, as well as the need for future interdisciplinary research of the process of learning and remembering choreography as an art form.

Publisher

National Library of Serbia

Subject

General Engineering

Reference54 articles.

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2. Barreto, Sofia and Eva Оrdóñez Flores. 2008. „Music, Language and Dance: The Articulation of Structures and Systems” The World of Music 50 (1): 17 - 31.

3. Bernstein, Nicholai A. 1996. „On Dexterity and Development”. Translated by Mark L.Latesh. In Dexterity and Its Development. Edited by Mark L.Latash and Michael T.Turvey. Mahwah, NJ: Lawrence Erlbaum Associates, 1 - 244.

4. Betteridge, L. Gabirelle, Stevens, J. Catherine and Freya A. Bailes. 2014. „Beat It! Music Overloads Novice Dancers“, Applied Cognitive Psychology, Appl. Cognit. Psychol. 28: 765-771.

5. Bodgani, Ramazan. 1991. „Albanian Folk Dances Accompanied with Music”. Studia Musicologica Academiae Scientiarum Hungaricae 33: 327-333.

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