Black Study @ GSU

Abstract

AbstractTasked with the mandate to “set the record straight” about the beginning of the liquid blackness research group and journal and to explicate the theoretical and conceptual parameters of the idea of black liquidity, this introduction negotiates the irreconcilable tension between keeping record and record keeping as a way to maintain the anaoriginarity of black study as an ensemblic and jurisgenerative practice. To do so, it draws inspiration from one of its objects of study, Larry Clark's 1977 cult film Passing Through, and specifically from the way the film's formal structure and historical existence as a withdrawing object mirror the elusiveness of the album that the musicians it depicts were never able to record. This introduction is divided into “tracks” to reproduce the same withdrawing effect, trigger a similar ensemblic gathering, and in the process, honor the object-oriented and immanent methodology developed by the liquid blackness project.